![]() ![]() In fact, she rejects the notion of inspiration altogether. “He had created an emotional state of human beings.”īut Xiang’s process is too personal to be inspired by anyone or anything else. It was the first time she had seen sculpture that wasn’t a politically-freighted monument or memorial, she says. One of the first artists to make an impression on her was Tian Shixin, a sculptor from Guizhou whose work Xiang first saw when she was at high school. Raised in Beijing by an editor and film studio director, Xiang studied at Beijing’s Central Academy of Fine Arts, graduating in 1995. The deeper you go, you move further away from gender, but you get closer to human nature More from Human to Hero: From builder to Pritzker-winning architect However, as we’re collective animals, social animals, we all end up in a kind of a relationship … I think we’re like two neighboring islands, gradually getting close to each other.” “Individuals are in fact very alien, very distant to each other. More than gender politics, she is interested in human relationships. In other words, the deeper you go, you move further away from gender but you get closer to human nature.” ![]() Her sculptures of women, for instance, are an attempt “to deal with everything that had to do with female existence.”īut, she says, “after a while, if you work on a deeper level, you will discover that whether male or female, you’re ultimately dealing with human nature. “I think art is possibly one of the ways, one of the channels, to help us to find out certain truths,” she says. “From the day we are born, we have many, many questions – all kinds of questions from what we see, what we experience and what we know. Xiang says her work is always a kind of ongoing philosophical inquiry.Įvery time I work on something, I eat very little and sleep very little and become very, very thin According to curator and critic Lilly Wei, Xiang’s “sense of social satire is anchored in the commonplace, in the daily exigencies and social exchanges of an ordinary woman’s life, in the small vanities, frauds and violations.” The effect of Xiang’s work is often disquieting, even though her figures are recognizable. A seated, slouching and vacant-eyed nude woman with a scar on her abdomen, sagging breasts and fat rolls, critic Gao Shiming, a dean at the China Academy of Art, has described the work as an expression of “ fatigue … emptiness and helplessness.” “Your Body,” a 2.6-meter-high fiberglass sculpture made in 2005 was collected by the Saatchi Gallery. ![]()
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